Stellan Skarsgard on 'Dragon Tattoo,' Not Pleased with 'The Avengers' and the 'Good Will Hunting' Scarf

You will find certain stars that you simply meet throughout interview periods that are not worried about "remaining on message." Stellan Skarsgard is just one of individuals stars. For instance: Skarsgard freely confesses that he isn't pleased with his role in 'The Avengers.' Plus there is his relationship together with his boy, Alexander, of 'True Blood' fame: "I never help my children and that i never encourage them and that i never provide them with any advice." So, yes, that's interesting. Stellan Skarsgard does appear pleased with his role as Martin Vanger -- the brother of the girl who disappeared in 1966 -- in David Fincher's version of 'The Girl Using the Dragon Tattoo.' Within this pretty wide-raging discussion, Skarsgard talks freely and freely about his ideas on Enya's presence throughout a pivotal scene, the origin material for 'Dragon Tattoo,' his unfulfilling role in 'The Avengers,' his early operate in 'The Search for Red-colored October,' and the scarf in 'Good Will Hunting.' I am happy that Enya's not playing at this time. Yeah! After I questioned your boy, Alexander, for 'Melancholia,' he'd Pink Floyd playing within the room. He really loves Pink Floyd... Yeah. And it is much better than Enya. Was Enya really playing when you were filming, or was that put in later? It had been a concept from David Fincher, I believe, to simply switch it on in the end have there been. And That I was like [sarcastically], "Yes! It's fantastic." Since it is. It's brilliant. It will play well for your scene. Yeah, it will, does not it? Was that scene as intense to film in internet marketing would be to watch? I can not imagine you will find laughs aplenty gong on. Between your goes laugh. You switch off and on. None people are actually Method stars, we do not get to be the figures. Therefore we had an enjoyable experience doing the work. But throughout the takes, obviously, it's very intense. That which was your opinion from the Swedish version? I believed it was very good. Now I believe it's muddled -- I can not say that which was in that one and that which was for the reason that one. I believe this version has characteristics that the first did not have. Certainly. Like what? It is a David Fincher movie. It's produced by among the best company directors on the planet and it is compiled by among the best authors on the planet [Steve Zaillian]. I believe that the connection between your two leading figures is much better in that one of computer is at the first. But it is also two different assumes exactly the same material, so there is no real reason for saying who's winning. Being an actor, can there be frustration whenever a movie that you are was remade? You'd it take place -- Al Pacino changed you in 'Insomnia.' No. I love Pacino. Well, I actually do, too. [Laughs] But everyone see what world you are residing in. Why it's remade? People don't wish to read subtitles. That's one reason. And when somebody great will it -- 'Insomnia' ended with a good director [Christopher Nolan] -- i quickly do not have anything against it. They are attempting to make another version of something that's good so more and more people can easily see it. It's one factor whether it's a Bergman film, produced by an excellent auteur in Europe along with a Hollywood studio states, "Well, which was a awesome film. Let us remake it and take off everything that's offensive and employ a generic director to get it done.Inch Then, it simply shows the stupidity from the studio because then they are making something completely different. But, within this situation, aside from the 2 primary figures, it is a pretty generic crime story. But it is now adopted by an auteur director in the usa -- because Fincher is definitely an auteur. So, everybody's happy about this. Well, I understand the director from the first film isn't happy about this. I guess that's understandable from his perspective. I am not too protective by what I have done. That is apparent using what you stated about 'Insomnia.' I had been proud simply because they clearly loved things i did. Thanks. Perhaps you have read 'The Girl using the Dragon Tattoo'? No, I've not browse the book. I've not either. My girlfriend has and she's mixed onto it. Yeah, my girlfriend is, too. I am talking about my spouse, she's explained everything about this, so ... and that i trust her. Here there exists a large Hollywood production being shot in Sweden, which does not happen frequently. Would you've been pissed should you were not contacted? No, because I do not go being an insult if individuals don't approach me about stuff that I enjoy do. Casting a movie, you could have the finest stars inside a film also it does not work. It is a combination of all the elements. Again, there's not lots of American productions that occur in Sweden. Should you were not considered, you would not think, seriously, the number of well-known, respected Swedish stars exist employed in the U.S.? I'd most likely be considered a little upset if he'd have cast a Russian actor who had been really bad within the role. It requires a great deal to offend me. Why Russian? I'm not sure. While he could not be Swedish. And when Pacino might have tried it, I could have been fine by using it. If had arrived at Sweden, I'd have cooked for him. Well, he's taken roles of your stuff before. I believe Pacino should re-do all my roles. Even 'Good Will Hunting'? [Laughing] 'Good Will Hunting'... I am likely to say, I am unsure that certain works too. I am likely to disagree along with you on that certain. OK, maybe not every them. Would you watch 'True Blood' regularly? No, no. I watch it occasionally. Occasionally. I do not abide by it. I do not have enough time for your. I do not abide by it regularly, however i do watch it now and then to determine where it is going. It is extremely well crafted. And i believe Alexander is getting an enjoyable experience doing the work. He explained his story about how exactly he found visit you and also he ended up in 'Zoolander.' [Laughs and shakes mind] Yeah. I wasn't even involved with it. Because, as I have stated, I never help my children and that i never encourage them and that i never provide them with any advice. It's their careers and they've to really make it themselves. So he most likely met my agent and that is the way it happened -- and all of a sudden he's burning in a service station. Your 'Smoke Jumpers' character on 'Entourage': was that actually according to Werner Herzog or have there been other influences happening there? It wasn't Herzog whatsoever. This is the perception, though. Yeah, I understand, while he was known as "Verner." But it is nothing like Herzog. And what I am doing there's like a long time of expertise of various company directors put into one. But it is just for fun. I am not likely to title them. I understand Werner Herzog and he isn't like this whatsoever. However the obsessive side from it is general -- all company directors are control freaks and incredibly obsessive. I recieve the sensation that company directors as kids, every one has were built with a childhood with little connection with other kids. They built their very own reality plus they continue doing it. It is a funny breed, company directors. I have never heard it put this way before. A minimum of the great ones. Obviously you've generic company directors which are just kind of mechanics. You are in 'The Avengers.' Mm-hm. OK, now Personally i think bad getting that up. No, number.. obviously I'm. But not so much. There's lots of folks 'The Avengers' And That I was thinking, How on the planet will you get all individuals superheroes inside a movie and fit them and have a tale that really progresses? And, also you need to satisfy lots of stars with a minimum of reasonable material. Have you feel satisfied? No. Not necessarily. But I am not among the superheroes. However, you were built with a large role in 'Thor.' Yeah, but here it is a small role. I've normal clothes and just appear briefly because individuals with funny costumes -- that's the core from it. But, Joss Whedon, it is a fantastic pure mechanical try to develop a story because of so many heroes that really works. I believe the script labored. What it will likely be if this arrives, I can not tell. And today both Kenneth Branagh and Patty Jenkins are out because the director of 'Thor 2.' I question what is going to happen there? I've no clue. I understood Branagh wouldn't, I did not think so. I do not think he'd do a different one. The concept right from the start was that it hadn't been serial to him. It had been one factor. Also it would be a very specific story where both mobile phone industry's were introduced. The Shakespearean turf ... but he was great dealing with and i believe the end result was excellent. When they requested you, what type of director can you want? I believe what Marvel continues to be very wise with, they have been picking excellent company directors -- not always experts on visual effects and large movie-making. What they desire are company directors who're good with figures and stars. It is simply as with the very first 'Pirates from the Caribbean' film: It isn't what Disney wanted. They attempted to fireplace both Gore Verbinski and The Actor-brad Pitt. Gore Verbinski's take was he focused on the stars and gave them space -- and also the audience loves it. What remember regarding your experience around the group of 'The Search for Red-colored October'? It had been my first large studio production and that i is at awe after i drove with the Melrose gate at Vital the very first time. But, also, I did not comprehend it. Since it is this type of small role and they are investing a lot money flying me top class from Sweden and set me up inside a luxury hotel for 2 days for your little role. And they known as me before we began shooting and stated, "Hey, we would like you to get it done in Russian." And That I stated, "You are kidding? You have 100s of excellent Russian stars in La. Hire someone else." And So I did not need to do it in Russian. At this time there is a Russian actor giving a job interview saying, "As lengthy because they did not cast a Swedish actor for your part, I wouldn't happen to be upset." Yeah! "Now, take a look at me, I am depriving still!" Personally i think that you simply set a shawl-putting on trend together with your character in 'Good Will Hunting.' Next movie, everybody began putting on jewelry like this. There have been many people that were not impressed with that scarf. Why? I'm not sure! I believed it was really awesome, too. I am not kidding, I believe you began a trend. "Why have you got that silly scarf?" Because professors aren't all tweed. It wasn't my idea, it had been the costume designer's idea. However it was totally consistent with mine since the first factor I stated was, "I am a college professor -- no tweed." Which was an ailment because I needed a rock 'n roll professor greater than a tweed professor. I would like a professor that fucks his students. And That I first got it! But it is true, the jewelry have grown to be extremely popular. I had been just putting on it loosely having a jacket, you realize. But it is additionally a little Italian, is not it? Whenever you shot that, did you possess an concept that it might be the success it switched to be? No. No clue. Somebody requested me, "What's happening, Stellan?" I stated, "I am shooting a little film with a few very first time authors. It is a small, independent film." Also it was. However everybody first viewed it. Everybody first viewed it. However it had some great elements. Not just a very, excellent script by Matt and Ben, they'd a really, excellent director [Gus Van Sant]. And Robin Williams plus some great stars. And Matt was great inside it. And Ben, too. Which was this type of great shoot And shooting with Gus ... he's so timid. So discrete. You begin shooting and following the first take, he's like [whispering], "Let us try it again.Inch And you're doing so over and over. And also you seem like you are doing the work again not while he wasn't pleased with it, but while he loved it a lot he really wants to view it again. Therefore we grew to become the much more bold and the much more bold. Not to mention Robin Williams he just chimes to something crazy after which he goes down another path and begins improvising things. He will get a lot material, so he is able to create what he wants in the scene. Are you aware what else it had? A very great scarf. Along with a excellent scarf! I did not realize that this scarf would turn that into such a millionaire. You are able to contact Mike Ryan on Twitter [Photo: Getty] Follow Moviefone on Twitter Like Moviefone on Facebook

The Most Effective Five Movies Of 2011 Are...

We've been counting lower the most effective ten movies of 2011 all week extended, plus it all comes lower with this: the best five. Which movies outshine "Attack the Block," "The Descendants," "50/50," "The Muppets" and "X-Males: Top ClassInch to land on our 5 best list? You'll be able to uncover at this time around by watching our live-stream announcement within our five favorite movies from 2011. Related: #10 Movie of year: "Attack the Block" #9 Movie of year: "The Descendants" #8 Movie of year: "50/50" #7 Movie of year: "The Muppets" #6 Movie of year: "X-Males: Top ClassInch All this week, watch "AMTV" on MTV each day at 8 a.m. ET for that Better of 2011 lists. Then, showed up at MTVNews.com at 5 p.m. after we reveal our top chioces of year!

LA Film Experts: Yun Jung-Hee Best Actress, Kirsten Dunst Runner-Up Plummer, Chastain Take Supporting Awards

La Experts Association voting is happening with results published on their own Twitter feed. Those who win to date are the following: (Refresh for updates) BEST ACTRESS, Champion: Yun Jung-hee, “Poetry.” BEST ACTRESS, Runner-Up: Kirsten Dunst, “Melancholia.” BEST INDEPENDENT/EXPERIMENTAL: “Spark to be.” BEST DOCUMENTARY/NONFICTION, Champion: “Cave of Forgotten Dreams.” BEST DOCUMENTARY/NONFICTION: RunnerUp, “The Arbor.” BEST Script, Champion: Asghar Farhadi, “A Separation.” BEST Script, Runner-Up: Alexander Payne, Nat Faxon, Jim Rash, “The Descendants.” BEST SUPPORTING ACTOR, Champion: Christopher Plummer, “Beginners.” BEST SUPPORTING ACTOR, Runner-Up: Patton Oswalt, “Young Adult.” BEST SUPPORTING. ACTRESS, Champion: Jessica Chastain, “Coriolanus,” “The Debt,” “The Help,” “Take Shelter,” “Texas Killing Fields,” “Tree of Existence” BEST SUPPORTING ACTRESS, Runner-Up: Jesse McTeer, “Albert Nobbs.” BEST CINEMATOGRAPHY, Champion: Emmanuel Lubezki, “The Tree of Existence.” BEST CINEMATOGRAPHY, Runner-Up: Cao Yu, “City of Existence and Dying.” BEST PRODUCTION DESIGN, Champion: Dante Ferretti, “Hugo.” BEST PRODUCTION DESIGN, Runner-Up: Maria Djurkovic, “Tinker Tailor Soldier Spy.” BEST MUSIC/SCORE, Champion: Caffeine Siblings, “Hanna.” BEST MUSIC/SCORE, Runner-Up: High cliff Martinez, “Drive.”

Rock 'n' roll pearls from Oyster drummer

It had been all rock 'n' roll with no bull Monday evening in the preem of Magnolia's "Roadie" in the Angelika. The film follows a roadie who returns the place to find Queens after being fired through the Blue Oyster Cult. Based on Albert Bouchard, original drummer for that Cult, the pic is accurate. He continued to regale partygoers in the Parkside Lounge with real tales of sacrilege and scatology in the road. In the afterparty, visitors were also treated to some musical performance through the film's director and authors, Michael and Gerald Cuesta, and original tunes by Jill Hennessy, who stars within the pic with Bobby Cannavale and Ron Eldard. :- Alexa Harrison Contact Variety Staff at news@variety.com

A marathon to change percenter law

Ron Siegel has handled to maneuver on from talent management to another career where, he notes with bemusement, he doesn't are afflicted by such things as whether a person has Dish TV or DirecTV inside their trailers.But he isn't quit by having an problem that has bedeviled the management business for several years: finding use their clients.Formally, it is a no-no for managers to formally negotiate deals regarding their clients. Unofficially, it continues anyway, using what the California Top Court referred to as "standard operating procedure," particularly for managers trying to enhance new talent who otherwise wouldn't have a very shot getting an authorized agent.Siegel has challenged the Talent Agencies Act, the problem law that holds that only licensed talent agents can "procure" employment. It's the state's try to strike a division between licensed talent agents together with other, unlicensed reps.Siegel's Marathon Entertainment represented actress Rosa Blasi, a star in the Lifetime drama "Strong Medicine," and after she stopped needing to pay him commissions, the dispute visited the problem Labor Commissioner, who voided her contract with Siegel for that reason he'd completed the task from the talent agent without any license.The problem made its approach to the problem Top Court, which upheld the Talent Agencies Act together with the authority in the Labor Commissioner to void contracts for illegal procurement. It did condition the commissioner had discretion to partially enforce the contracts for management services legally made.'No criminal activity'Siegel is again asking the problem High Court to think about his situation, though a twist: He claims the Labor Commissioner's enforcement in the Talent Agencies Act is "legally unsupportable," because in 1982 condition congress got criminal penalties for smashing the act."The thirteenth Amendment guarantees all Us citizens the legal right to compensation unless of course obviously duly billed from the crime," his brief states. "With no criminal activity connected while using TAA, disturbing an individual's contractual rights to compensation, as well as killing such rights, does not have proper legal foundation."After a period of challenging the Talent Agencies Act, Siegel is becoming representing themselves, getting punished his previous legal team at Fox & Spillane for neglecting to say the "no penalty" argument. An arbitrator around the sides with Fox & Spillance, rejecting his malpractice claims, reducing courts declined to reverse that ruling. Siegel may also be asking the problem Top Court to weigh in on procedural questions of whether arbitrators exceeded their energy.In this particular latest challenge for the Talent Agencies Act, Siegel has come up with 143 management companies to produce letters promoting the problem Top Court to think about the issue. You are able to stir their passion round the problem. Managers have extended contended what the law states remains roughed up, employed by clients to escape needing to pay commissions after they start new representation. And so they get some good sympathy from legal students. Within the decision, the problem Top Court even reported a 2003 law review article, which learned that "the current controlling plan's ineffective." (Furthermore, it learned that the growing volume of managers participating in production was raising troubling questions of conflict of curiosity.)The problem Top Court will rule by late The month of the month of january whether or not this will hear Siegel's appeal, but it is a sizable "if." Its 2008 decision noted that even though act "provides no treatment for its breach," it does not "repudiate the generally relevant and extended-standing rule of severability." They reported the Civil Code adopted in 1872: "Where a contract has several distinct objects, which no less than is approved, then one no less than is against the law, entirely or just, anything is void concerning the latter and valid concerning the relaxation."Our prime court was encouraging to managers' complaints, acknowledging the present system was used just like a "blunt and unwieldy instrument," nonetheless they found the final outcome they "no authority to rewrite the controlling plan."Siegel argues a legal court has not ruled round the approach he's now presented -- the administrative agency can't create a remedy with a law. Because they hasn't quit, he's produced out a brand new job inside the eco-friendly movement. He's partner in Eco-friendly Garmento, which sells multiple-use bags for your dry cleaning business. Contact Ted Manley at ted.manley@variety.com

Adele crowned 2011 iTunes champ

Apple's iTunes store, the largest music retailer in the country, has crowned Adele as 2011's sales champion. While iTunes does not release its sales figures, it listed Brit thrush Adele's "21" as its bestselling album of the year, and the vocalist's "Rolling in the Deep" as its bestselling song. To date, "21" has shifted a total of 4.8 million copies, according to Nielsen SoundScan. British folk quartet Mumford & Sons' long-legged 2010 release "Sigh No More" was the No. 2 album, succeeded by the deluxe edition of Lil Wayne's "Tha Carter IV," Kanye West and Jay-Z's "Watch the Throne" and Coldplay's late-year hit "Mylo Xyloto." Lady Gaga's "Born This Way" came in a distant No. 6; sales of the vocalist's million-selling package were no doubt couped by Amazon.com's 99-cent sales strategy for the release. Pop dominated the top five songs: Adele's hit was joined in the top five by LMFAO's "Party Rock Anthem," Katy Perry's "Firework," Bruno Mars' "Grenade" and Cee-Lo Green's euphemistically retitled "Forget You." David Fincher's "The Social Network" was the most-downloaded movie at iTunes, followed by "Limitless," "No Strings Attached," "Just Go With It" and "The Lincoln Lawyer." An episode of "The Walking Dead" was iTunes' top-selling TV offering, followed by offerings from "Glee," "Breaking Bad," "Sons of Anarchy" and "Gossip Girl." Unsurprisingly, the bestselling non-fiction book was Walter Isaacson's "Steve Jobs." Contact the Variety newsroom at news@variety.com

REVIEW: Tilda Swinton Keeps Mother-Boy Horror Story We must Discuss Kevin on course - Barely

If I had been being a film critic in 1968, I'd have informed expecting mothers against seeing Rosemary oil oil’s Baby. Today I’d exactly the same factor about We must Discuss Kevin: You don’t know what you're able receive once your little bundle finally arrives, plus it’s probably don't to think about it in advance. We must Discuss Kevin might be the Scottish filmmaker Lynne Ramsay’s third feature plus an adaptation of Lionel Shriver’s acclaimed novel. As a little of filmmaking, it’s candidly effective it’s the story which get in the way. Tilda Swinton plays mother from the teen who continues a killing spree at his school. A direct consequence, her existence falls apart — as well as the aftermath is when the story opens. Ramsay mix-cuts superbly between past and provide: We view Swinton living, apparently alone, in the run-lower house by having an otherwise nice street. She’s clearly uncomfortable there — once we first start to see the house, it’s been decorated with red-colored-colored fresh fresh paint. Ramsay jostles the narrative backward and forward and then we progressively discover how Swinton’s existence found be using this method. She and her husband (John C. Reilly) give birth with a boy after an unforeseen pregnancy. The moment he’s born, Swinton can’t communicate with him, no matter how hard she tries. He screams inside the crib too as with the carriage: Ramsay shows Swinton pushing the 2nd along a NY City Street, where the infant’s infernal squalling drowns out a pneumatic drill. Swinton gets the boy examined for autism she foretells him kindly or firmly, regarding the problem she tries to supply him with hugs. He responds either with outright contempt or total indifference. Meanwhile, he’s all smiles and sun along with his father, who’s convinced (because of not valid reason) the little one’s ill humor is incorporated in the mother’s mind. One warning signal to a different goes unheeded, through the film’s last third, the pileup of apparent signs is unforgivable. I realize you will discover very hard solutions if the involves this kind of psychotic behavior. But We must Discuss Kevin might be a too facile in the way it produces the terrible climax: Just one check this out kid and you also know he’s trouble, yet nobody besides mother are able to see it. (He’s carried out, within the teenage version, by Ezra Burns, who’s spookily peaceful.) I nearly groaned when dear old jumps presented a shiny, brand-new archer’s bow upon his boy, with no conventional father-style warning of, “Here you're going, kid — don’t put anybody’s eye out.” Simply what does be employed in We must Discuss Kevin might be the slow-burning, slow-building mother-and-boy horror story. The look is kind of a nightmare inversion of Mildred Pierce: This mother doesn’t adore her boy, and he or she overcompensates on her behalf neural by trying harder to win him over. He helps it be very tough: Just like a toddler decreasing being toilet-trained, he glares at her defiantly while he’s playing a freshly changed diaper. When she tries to coax him into saying “mommy,” he glares at her, Damian-like, and states, “NO!” Swinton is terrific — this is among her less mannered performances. Her emotional nakedness, her have to perform right factor by her boy whilst he saps her dry, are credible every minute. As well as the more I consider We must Discuss Kevin, the higher I’m glad that Ramsay was the director who handled to obtain. Ramsay is probably not a star-title filmmaker, but she’s already shown herself with two distinctive, perceptively crafted movies, Ratcatcher (1999) and Morvern Callar (2002). She was, for a while, set to evolve The Lovely Bones, but lost the rights to Alice Sebold’s source novel. (Healing For Healing For Peter Jackson directed the next mess.) For Ramsay fans, that whole subject is almost way too hard to think about — it’s painful to visualize the film that might have been, given Ramsay’s apparent-eyed sensitivity and ingeniousness. Here, instead of trying to carry out a soft-shoe around the hallowed bond between moms and sons, Ramsay treads fearlessly into some frightening, unspoken territory. When Swinton comes face-to-face with this particular defiant toddler, it’s apparent which has the surface of the hands, plus it’s not because she hasn’t read all the being a parent books. The fact Swinton can be a resolute, efficient actress only helps to make the point more stark. When among her boy’s which makes it through sufferers — he’s in the mobility device — approaches her all the time to request her how she’s doing (nobody within the old neighborhood might even speak with her), she responds to his kindness with near-quiet yet never-ending gratitude. And Swinton playing a girl searching for kindness is a factor to behold. [Editor’s note: This review came out earlier, in the slightly different form, in Stephanie Zacharek’s Cannes Film Festival coverage.] Follow Stephanie Zacharek on Twitter. Follow Movieline on Twitter.

The X Factor's Astro: "I'm Gonna Be Worldwide!"

Astro After his elimination from The X Factor on December 1, 15-year-old Brooklyn rapper Brian Bradley, aka Astro, stopped by TV Guide Magazine's office to chat about his performances during the competition, advice he'll always remember from the judges, and his plans for the future. TV Guide Magazine: What was the best part of being on The X Factor?Astro: The best part of the experience was basically being able to perform in front of millions of people each week at such a young age. And basically being able to perform in front of four great people in the business, that was great. It's something that a lot of my friends that are trying to break into the music business would only dream of, performing in front of Paula [Abdul], L.A. [Reid], Nicole [Scherzinger] and Simon [Cowell]. That was awesome. TV Guide Magazine: You wrote a lot of original lyrics to songs you performed. What was the process like with your mentor, L.A. Reid?Astro: If they didn't let me rewrite the songs then I would've dropped out a long time ago. Basically I had to fight for that right a little bit to be able to rewrite the songs, but it worked out in my favor. And L.A., he understood me more than most of any of the other judges, than all of the other judges, actually. He let me write my stuff, he let me be me, and I respected that. We picked all the songs together. Some days we'd sit in a room and pick a song. Other days he'd have the song ready and I'd just write it. A lot of times he'd ask for changes, I'd change my verses a few times but it came out great each time so I didn't have a problem. TV Guide Magazine: Was the whole experience what you expected it to be?Astro: It was more than what I expected it to be because to be honest I thought they were going to say you can't write your own stuff, you have to recite the lyrics like everyone else. The fact that they allowed me to write my own music, I appreciate that a lot. I didn't expect it to be like that at all. I wasn't going to try out for X Factor. I wasn't trying to be in a contest. My mom convinced me to audition for The X Factor. And I just said, 'O.K., let me see what it's about. $5 million? Might as well try'. I tried out and it worked out. I got through top seven out of 200,000 so I'm proud. TV Guide Magazine: What was your most challenging performance?Astro: The hardest song was probably Michael Jackson's "Black and White." It's such a powerful song that you don't want to end up saying the wrong thing in a song like that. It took me, like, a day and a half to finish the song completely. TV Guide Magazine: And the easiest?Astro: The easiest was "Jump." Basically I wasn't rapping about anything, if you listen to it. I was just doing what a normal, 2011, modern-day rapper does: rapping about nothing. It was just me having fun. That was the very first one I did. TV Guide Magazine: How has this whole experience affected you?Astro: Now I know that people are watching. Diddy tweeted me when I did the "Missing You" song, and that was crazy. It feels amazing now because I've been doing music since a long time ago. I'm the type of dude that'll make a song and it'll be one of my best songs and I'm like, dang, nobody's even listening. I've only got 4,000 followers. I'd just get mad. I wouldn't even want to put the song up, it's a waste. Now when I put a song up, I've get 150,000 followers, so now if I post a song on Twitter I'll get like 10,000 downloads, at least. So I know people are actually listening now, so it feels much better that people are actually recognizing who I am, instead of just seeing some kid from Brooklyn. TV Guide Magazine: Any advice from the judges that you'll remember?Astro: L.A. said, 'Never let 'em see you sweat.' Basically never let anyone see what gets you mad because that's how they figure out how to annoy you and just pick at you and just get you angry. So I just try to stay a little calmer now because of that. TV Guide Magazine: What are your plans for the future?Astro: I plan to release just as much music as I can. Movies, I should be working on a cartoon, reality show, everything. Everything I could do, like a clothing line, like a lot of things are in the works. I plan on just performing everywhere. I'm gonna be worldwide! -Sydney Bucksbaum Subscribe to TV Guide Magazine now!

Tennis Ace Novak Djokovic To Complete Cameo In Expendables 2

He's perhaps the very best actor around the ATP Tour together with his place-on impersonations. Now world’s No.1 tennis player Novak Djokovic is placed to create his professional acting debut having a cameo within the Expendables 2. Djokovic has showed up in Bulgaria in which the follow up is filming. The tennis champion will have themself within the movie after you have an invite from producer Avi Lerner. Djokovic, who won 3 from the 4 tennis Grand Jams this season throughout among the best tennis seasons on record, is really as well-known for his tennis abilities because he is perfect for his showmanship. Captured, he shot a parody of tennis player Maria Sharapova’s Mind commercial, compelling the tennis equipment manufacturer to create a new commercial featuring both Djokovic because the Russian beauty and Sharapova herself. Below is really a clip in the 2007 US Open where Djokovic was requested to perform a handful of impersonations of fellow tennis gamers.

Regis Philbin Plotting TV Return With Family Talent Show

Regis Philbin So much for taking a break. Regis Philbin is already planning his next TV project less than two weeks after leaving his longtime post on Live! With Regis and Kelly. Social Power Rankings: Who should replace Regis Philbin? "We're contemplating a show that is sort of a talent show, but it involves the whole family," Philbin, 80, tells The NY Post. A family competition "is something new in our business. It's going to be on primetime when it happens." Philbin recently formed RAF Productions with former Live! director Barry Glazer, City Island executive producer Edward Walson and Cort Cassidy. The longtime TV personality also said he's been approached about other projects, such as bringing back the variety show format. "[An] entertainment type of show would appeal to me," Philbin said. "Almost a variety show. In our business you don't want to say variety because it's frowned upon now, but something with people who are performing." Regis Philbin reveals he's leaving Live! over contract issues Philbin reiterated again that he is not retired, he's just "moving on" after leaving Live! "It wasn't that ABC didn't try to negotiate with me," he said. "As it happens in this business, sometimes you don't really like the terms so you just walk away with that in mind."

The Dreams of Martin Scorsese

A recurring Martin Scorsese nightmare goes like this: He is told that he must start shooting a movie. But he isn't informed what the movie is. He doesn't know what it's about or who the actors are. He only knows that the producers are pushing him to get this thing started, now. A dutiful artist, Scorsese dives in with help from frequent first assistant director Joe Reidy, only to notice that standing to the side of the set is a very famous older director. This mystery director is someone real, and great, but Scorsese, upon waking, never remembers who it is. The guy's presence unnerves him, and he says so to the producers. "Don't worry," he's told. "He's just here to observe. It's your thing.""But I knew that he was probably going to take over what I was doing," Scorsese continues in hushed tones. "And slowly but surely, they say, 'You know, if you could just sit down, we'll let him handle this scene. ' "Scorsese guffaws at the anxiety-drenched punch line and shakes his head. He's able to see the humor in it. At least it's not the dream where he speaks to his late mother, or the one in which his long-departed bichon frise Zoe, who often sat in his lap while he directed "Goodfellas," is found bloodied in the street -- both of which are more likely to bring him to tears. But it's undeniably a rich vision to be bouncing around the subconscious of a 69-year-old artist who long since has established himself as one of the greatest filmmakers of the modern era.The anonymous dream director could be Ingmar Bergman, Akira Kurosawa, Michael Powell, Satyajit Ray, Orson Welles, Jean Renoir -- any of the icons Scorsese has revered and chased with his art for decades. But the insecurity on display is clearly tied to what he and his fellow '70s visionaries felt was a "denigration" of their film-school origins by the previous generation of self-made greats -- the same men and women whose work he's made it his life's mission to preserve. It's no doubt also tied to that greatest of mysteries: What legacy can he himself hope to leave behind?Sitting in the downstairs family room of his Upper East Side brownstone on a crisp Sunday afternoon in November, Scorsese is as buoyant and thoughtful as always. He's just grabbed a quick nap. His wife, Helen Morris, a producer, is upstairs. Their soon-to-be-12-year-old daughter Francesca is at a friend's. His West Highland terriers Flora and Desmond are sequestered in the kitchen (but only after he's given each a playful rub). And he's enjoying the briefest of breaks from putting the final touches on the 3D effects in his latest film, "Hugo," opening Nov. 23.If Scorsese were to have that terrible dream today, the man looking over his shoulder could be Georges Melies, one of the fathers of the moving image and a weighty personal and thematic presence in "Hugo." In the movie, which takes place in 1931 Paris, Melies is a neglected and bitter old man, an enthusiastic innovator whose magical work has been forgotten and destroyed, only to be rediscovered through his encounters with a young orphan named Hugo Cabret. Based on Brian Selznick's Caldecott-winning 2007 novel "The Invention of Hugo Cabret," the $100 million-plus 3D movie is a grand slam of Scorsese preoccupations: the transformative power of cinema, its unique ability to connect people, the need to preserve old movies and the truth that an artist's legacy lives in those who treasure the work. Over the years, Melies has become a mystery himself, and even film buffs often don't have a grasp of just how profound his contributions to cinema were, despite their efforts to piece together the scraps of his legacy. In this, he could not have better cultural archaeologists than Selznick and Scorsese."I loved that all of human history was for him the history of film," says Selznick, who first talked cinema history with the director in London before filming began. "Of course, Scorsese has been responsible for restoring the lost legacies of groundbreaking filmmakers. He is in the position of pointing the way for the public, showing us who has been forgotten and overlooked."Scorsese traces his devotion to film preservation and restoration back to the emotional limitations of his childhood. The younger of two brothers in a very Old World immigrant NY family that lived in Queens and then the Lower East Side tenements, he repeatedly was told to keep his childish opinions to himself. As an asthma sufferer, he was always sick, which meant sports and pets were off limits, leaving him with an external and internal life that only could be opened in a movie theater. "It really opened up things that I wasn't allowed to say much," Scorsese says. "I wasn't allowed to express my feelings about anybody or anything. These emotions and these questions that were being asked in my head and in my heart, a lot of this was being addressed in the films I saw."From a very early age, he was watching everything from "Singin' in the Rain" to Italian neo-realist cinema. His Aunt Mary once took him and a cousin to see a rerelease of "Bambi" at the Forest Hills Theater in Queens, only to have to first sit through the 1947 film noir "Out of the Past." "I was way too young for that one," Scorsese says with an eye roll. "I was saying to my aunt, 'When's 'Bambi' coming on?' She said, 'Shut up, this is good.' The imagery stayed with me, that crazy poetic mood. It was really art." But "On the Waterfront" broke through in a way that none of the others had before -- he saw his hard-working uncles and cousins in every frame of Elia Kazan's 1954 masterpiece. "It was literally as if the camera was in my apartment or on the street corner with us," he says. "All of this meant a great deal to me and connected me with the outside world."By his mid-20s, Scorsese had graduated from film school and was looking to put his own experiences on the screen, most notably in his 1973 crime drama "Mean Streets." But the fallout of expressing his personal world in public ended up stinging him. "I had repercussions on that," he says in a clipped manner that suggests the memory is still fresh for him. "Family and friends who were insulted."Once he found his own voice as a filmmaker, he and peers like Steven Spielberg couldn't find decent prints of the movies that had fed them as kids, and they began a campaign to convince the studios that these classics had value. "They didn't realize that to a whole generation, these were more than just commodities," he says. "It was part of who we are. It was part of everyone who has any relationship with cinema. This is something we started to get militant about. 'You may own them,' I said. 'But in actuality, you're custodians for a culture.' "Scorsese's longtime editor Thelma Schoonmaker, who won Oscars for "Raging Bull," "The Aviator" and "The Departed," remembers his horror after a LACMA screening in the early 1970s of a film classic whose print had turned pink. "It just never had occurred to him that these masterpieces that he was learning so much from could possibly disappear," she says. "He was genuinely shocked. And ever since, that's become his great mission."In 1990, along with Spielberg, George Lucas, Francis Ford Coppola, Sydney Pollack and others, he formed the nonprofit Film Foundation, and in 2007 he created the World Cinema Foundation to extend the organization's restoration work to foreign films. "To pass it on, that's the key thing," he says. (His own prints, which number in the thousands, reside at the archive in the George Eastman House in Rochester, N.Y.) "It's about knowing the past. You don't get an accurate picture of history sometimes through film, but you get an accurate picture of the people who made it and what the world was like at that time and that place where they made it, their attitudes. It's very important."Important enough to wage a stealth campaign to educate his own preteen daughter. Despite the wall-to-wall bookshelves, the Robbie Robertson Stratocaster from "The Last Waltz" and the wooden Laurel & Hardy figurines, the downstairs family room is Francesca's turf. The Steinway she plays obscures a few of her artworks, and two parakeets that her dad complains ignore him provide a singsong background while she does her homework. Although he takes an iPod everywhere, Scorsese says he doesn't get to play his music down here. "Oh, no," he says with mock seriousness, "no, no," as if he were a scared flunky working for a mob boss. On occasion, he admits that he'll stroll through humming Cream's "Sunshine of Your Love" and get Francesca hooked.Their regular ritual has become Saturday afternoon movies that he screens for her and her friends. But how does he get a gaggle of girls to sit for serious cinema? "They don't know," he says, pointing out conspiratorially that you have to do it casually. "If you start them that young, they think this is normal." He bursts into laughter and claps his hands, clearly aware that he's foisting his own passion on them without remorse. "They'll never know." He gleefully explains how he lured them in with classic Disney animated films that he borrowed from the studio, then hit them with the original "The King and I," MGM musicals, "Twilight Zone" episodes and Westerns such as "Stagecoach," "My Darling Clementine" and "Shane." (And yes, she did watch "Out of the Past" with him one night on TCM while he gave commentary on the camera moves; her mother won't let her watch "Bambi.")Even in this fun daddy-daughter context, Scorsese is serious, thoughtful and specific about his approach, as if he's crafting an MFA cinema studies class for students at his alma mater, NYU's Tisch School of the Arts. He holds these little seminars in the screening room at his Sikelia Productions offices, rather than in the one at home, for one specific reason. "I have books and stacks of things around," he says, mildly pained at the potential disturbance of his OCD-established ways. "The next thing you know, everything has fallen down. Their legs go this way, they stretch out, they ruin everything. The thing is that I need to retrieve stuff! It has to be in a specific place. It may not make sense, but visually I know it's there."One byproduct of spending more time with young girls again -- Scorsese's two other daughters, Catherine and Domenica, are more than 20 years older -- is that it helped convince him to make a family film out of "Hugo." "You deal with them every day so that you're made to understand actually how they perceive the world around them, even from the level of their height," he says. "It's a different way of living entirely. But the thing about it is then [doing "Hugo"] seemed natural. It didn't seem like a stretch. Being around children, I'm very comfortable with them now."As it happens, Scorsese's birthday is just a day after Francesca's (hers is Nov. 16), and he feigns exasperation that she gets top billing on their annual combined party. "She gets all the attention now," he says. "I've taken her aside a few times, as they say. I gave her the word: Watch it." More seriously, he just walked one of his daughters down the aisle for the first time, and it hit him hard. His middle girl, Domenica Cameron-Scorsese, born right after he made "Taxi Driver," a product of his marriage to Julia Cameron, was married Nov. 11 in Chicago. The milestone has shaken him; his voice softens, and he fumbles to explain the feelings it brought up."It was very moving, but she's our little one," he says. "It was kind of surreal, I didn't quite understand that it was actually happening in real time. I still can't quite grasp it. This is very good for my daughter and everything; she married a sweet young gentleman. But it starts something new. Your concern is in a different way now for them. There's not much you can do. You can help however you can, but you're older, you'll be dying. You're not going to be around. And this is it."It's hard not to hear in that fatalism an echo of Scorsese's suspicions about the endurance of his own life's work, which now includes 30 features that have earned him eight Oscar nominations (and one win, for directing "Departed") for writing and directing since his 1967 debut, "Who's That Knocking at My Door." Self-deprecation to the contrary, somehow it's not hard to imagine film lovers cuing up "Taxi Driver" or "Goodfellas" centuries from now. Thirty years ago, "Kiss Me Deadly" director Robert Aldrich sent a letter after seeing "Raging Bull" that said, "In years to come, that'll be the one to be remembered." "I prize that letter," Scorsese says, then mulls the possibility with a mix of skepticism and hope."The reality is, for people who create anything, you always want to be remembered," he says. "You could be remembered for a year, a hundred years, you could be remembered for two thousand years, but eventually everything goes. You just have to accept that. First, it may not stand the test of time. And if it doesn't, you did the best you could. You may have affected certain people's lives -- maybe. You may have made people think differently. And that's what you were meant to do. And now it's over."But does he not think that he has achieved this with his movies? "No," he says, explaining that while his predecessors' work was fashioned in a true artistic atmosphere, the era that shaped his own films was more divorced from that kind of inspirational bedrock. "There was grown-up art all around them. Real art," Scorsese says. "They grew up in a different culture. I don't come from that culture. If I had made Bertolucci's "Before the Revolution," or "The Red Shoes" or "Chimes at Midnight." There were times when I thought I could. When you get to a certain age, you realize you may not, and you may never have.""It took 10 years before 'Raging Bull' was recognized as a significant film," says Schoonmaker. "He has experienced what it means for a great work not to be recognized. And he's seen so many of the masters he loved fall into oblivion, like Melies, so he's prepared for that. What's happened with his films is that they last, because they've got truth in them. Truth always lasts."Scorsese seems to acknowledge this, finally, after a meaningful pause, the parakeets providing their own chattering commentary quietly behind him. He leans forward, his meditative eyes swimming in the split pools of his thick bifocals. Then he says, "A lot of them that I admire, they wouldn't have made "Mean Streets" -- they couldn't have made "Mean Streets." What happens is, in wishing that you made those, you feed off of it. And it goes into something you're doing. And if the material is right, and if the actors are right, and the script is right, and you're in the right head to make it that's your wish come true. That's it."SCORSESE'S ADAPTATIONS "Hugo" (2011) | Paramount Screenwriter : John LoganAdapted from: "The Invention of Hugo Cabret" (2007) by Brian Selznick"Shutter Island" (2010) Paramount Screenwriter: Laeta KalogridisZero nominations |$294.8mworldwideAdapted from: "Shutter Island" (2003) by Dennis Lehane"Bringing Out the Dead" (1999) Paramount Screenwriter: Paul SchraderZero nominations |$16.8mworldwideAdapted from: "Bringing Out the Dead" (1998) by Joe Connelly"Casino" (1995) Universal Screenwriters: Nicholas Pileggi & ScorseseOne nomination |$116.1mworldwideAdapted from: "Casino: Love and Honor in Las Vegas" (1995) by Nicholas Pileggi"The Age of Innocence"1993 | Columbia Screenwriters: Jay Cocks & ScorseseFive nominations, one win |$32.3mworldwideAdapted from: "The Age of Innocence" (1920) by Edith Wharton"Cape Fear" (1991) Universal Screenwriter: Wesley StrickTwo nominations |$182.3mworldwideAdapted from: "The Executioners" (1957) by John D. MacDonald"Goodfellas"1990 | Warner Bros. Screenwriters: Nicholas Pileggi & ScorseseSix nominations, one win |$46.8mworldwideAdapted from: "Wiseguy" (1986) by Nicholas Pileggi"The Last Temptation of Christ" (1988) Universal Screenwriter: Paul SchraderOne nomination |$8.4mworldwideAdapted from: "The Last Temptation" (1953) by Nikos Kazantzakis"The Color of Money" (1986) Buena Vista Screenwriter: Richard PriceFour nominations, one win |$52.3mworldwideAdapted from: "The Color of Money" (1984) by Walter Tevis"Raging Bull" (1980) MGM Screenwriters: Paul Schrader & Mardik MartinEight nominations, two wins |$23.4mworldwideAdapted from: "Raging Bull: My Story" (1970) by Jake La Motta"Boxcar Bertha" (1972) American International Pictures Screenwriters: Joyce H. & John William CorringtonZero nominationsAdapted from: "Sisters of the Road" (1937) by Dr. Ben L. Reitman The Hollywood Reporter

You Know What's Awesome? This New Trailer For Shame

From Sideways to Little Miss Sunshine to Slumdog Millionaire and Black Swan, Fox Searchlight has long proven more than adept at marketing its awards-season wares. Thus the distributor seemed a logical choice to acquire Shame, the acclaimed sex-addict drama that was near-instantly presumed to be destined for an accursed NC-17 rating. But now Searchlight, continuing its “What, us worry?” campaign on behalf of the Steve McQueen-directed, Michael Fassbender-starring gem, may have hit its stride. The first trailer was fine and all, but it wasn’t until we got into poster territory that we all really saw the inspiration begin to crystallize. And now there’s this preview, replete with the head-exploding NC-17 green band from the MPAA ratings board and set co-star Carey Mulligan’s mournful “NY, NY.” It’s otherwise mostly silent, not so unlike many the most evocative bits of McQueen’s film — the subway flirtations seen here chief among them. Anyway, I love this. Shame opens Dec. 2 in limited release. VERDICT: Sold!

Exclusive Video: Watch Mike and Claire's Tense Reunion On Degrassi: Nowhere to operate

Degrassi It's awkward enough whenever your mother marries the father of your senior high school class mates, but how about when that classmate is the ex-boyfriend? Exclusive Video: Will Degrassi's Carol J. reach promenade? Within this exclusive clip in the approaching Degrassi: Nowhere to operate special, Claire (Aislinn Paul) is reunited with Mike (Justin Kelly) at their parents' wedding - and he's searching to reunite. "I figured about us and that i recognized I still adore you,Inch he informs her. But a heartbroken Claire does not exactly reciprocate. Watch full instances of Degrassi within our Movie Guide Watch the clip below (and search for a pleasant jerk to "Team Cake" in the finish): Degrassi: Nowhere to Ride airs Friday at 9/8c on TeenNick.

AMC Buys Sci-Fi Drama From Paul Boardman, Scott Derrickson & David Eick

EXCLUSIVE: After striking gold with horror series The Walking Dead, AMC is searching to grow its genre portfolio having a sci-fi drama. The cable network has bought Thunderstruck, an hourlong UFO project from feature writing/pointing duo Paul Boardman and Scott Derrickson and former Battlestar Galactica executive producer David Eick. Boardman and Derrickson will write the drama, about effective and enigmatic organizations that begin showing up throughout the planet. After one turns up within the town of Great Falls, Montana, the neighborhood people must grapple using the dramatic effects and growing mystery of repeated visitations. Boardman and Derrickson will executive produce Thunderstruck with Eick. Derrickson is placed to direct. This marks the very first major foray into television for Boardman & Derrickson, who authored The Exorcism Of Emily Rose, with Derrickson pointing. The duo are writing Zwart Water for Derrickson to direct, with Charlize Theron mounted on star and convey. Eick is co-writing two high-profile series projects with Guillermo Del Toro Hulk at ABC, in line with the Marvel character, and Inhuman at Cinemax. Boardman, Derrickson and Eick are with WME.

New Snow White-colored as well as the Huntsman Art Signifies Alice-Like Tone

Set photos from the armored Christian Serratos as well as the star’s own description of Snow White-colored as well as the Huntsman’s bloody edge had me thinking this might be the higher transgressive of those two Snow White-colored projects inside the works (another being Tarsem’s lately titled Mirror, Mirror, starring Lily Collins and Armie Hammer). The initial official SWATH banner art, however, signifies something a bit more kid-friendly, even Alice's adventures in wonderland-esque. Or am I reading through through a lot of to the fantastical, Photoshopped plants and animals swirling around Stewart, Chris Hemsworth, as well as the disembodied mind of evil full Charlize Theron? Judge by yourself: It’s a great deal of banner art clearly attempting to share the earth-building from the fantasy world with scope and sharp things. The Three players — Stewart’s fight-ready Snow White-colored, Hemsworth’s axe-transporting Huntsman, Theron’s wicked witch from the full — are prepared for war. They’re also all searching askance in a variety of directions. “There’s a great deal to determine here,” their steely looks scream. “Just wait til you have a load from the products I’m/he’s/she’s searching more than there!” (Click for hi-res image) Match facing Disney’s tableau art for Alice's adventures in wonderland: The Alice parallels aren’t surprising since producer Joe Roth also made the Tim Burton blockbuster at Disney, in addition to since Alice developed a garbage-fortune serving the greater youthful fantasy demographic (which overlaps with Stewart’s Twilight demo). Should’ve seen next, however it appears sensible nonetheless. The SWATH synopsis, because of Universal: Inside the epic action-adventure Snow White-colored as well as the Huntsman, Christian Serratos (Twilight) plays alone inside the land more proper in comparison to evil full (Oscar champion Charlize Theron) to eliminate her. But just what the wicked ruler never imagined is the youthful lady threatening her reign remains learning the ability of war getting a huntsman (Chris Hemsworth, Thor) delivered to kill her. Mike Claflin (Pirates in the Caribbean: On Stranger Tides) joins the cast since the prince extended enchanted by Snow White-colored’s beauty and.The breathtaking new vision in the legendary tale originates from Joe Roth, producer of Alice's adventures in wonderland, producer Mike Mercer (The Sixth Sense) and acclaimed commercial director and condition-of-the-art visualist Rupert Sanders. Snow White-colored as well as the Huntsman will his theaters June 1, 2012.

'Tower Heist' Falls To 'Puss In Boots' At Box Office

FROM MTV MOVIES: Two completely different heist movies went mind-to-mind over the past weekend, as well as in an unexpected upset, a rapier-carrying cartoon cat emerged victorious over two high-profile comics. Inside a turn of occasions which was somewhat shocking to Hollywood, Eddie Murphy's return in the land of family-friendly fare alongside Ben Stiller within the PG-13 "Tower Heist" opened up behind last weekend's #1 movie, "Puss in Boots." Audiences ongoing in the future to watch the three-D "Shrek" spinoff character snatch some miracle beans from an evil Jack and Jill in "Puss in Boots" towards the tune of $33 million, keeping the DreamWorks Animation flick at #1 having a $75.5 million domestic total. "Puss" dropped just 3 % from the $33.04 million debut, which marked an unprecedentedly low non-holiday decline for any wide release. Browse the full story at MTV Movies!

Songs (As cancoes)

A VideoFilmes presentation and production. Produced by Joao Moreira Salles, Mauricio Andrade Ramos. Directed, written by Eduardo Coutinho.With: Dea, Gilmar, Esmeralda, Jose Barbosa, Sonia, Nilton, Isabell, Zio, Jose, Lidia, Fatima, Ramon, Maria de Fatima, Maria Aparecida.Like Frederick Wiseman, 1930s-born Brazilian docu filmmaker Eduardo Coutinho ("Twenty Years Later," "Master Building," "Playing") quietly keeps churning out one strong film after another. His latest, "Songs," is again a deceptively straightforward feature, and looks at such wide-ranging subjects as human nature, diversity and the power and importance of music and love by simply asking a group of Rio de Janeiro inhabitants to talk about their favorite Brazilian song. The result is, to put it simply, lyrical. After its Rio preem, the pic will launch internationally at IDFA, as part of a Coutinho mini-retrospective. Though the 78-year-old Coutinho has also directed fiction films, co-written screenplays and occasionally worked as an actor (recently in "From Beginning to End"), since the late 1990s, the prolific director has mainly focused on documentaries. His apparently nonchalant style, with its roots in TV reporting, has now become so loose that Coutinho almost seems to stumble upon fabulous people and stories, though in reality they are the result of careful research and selection. For "Songs," an initial group of 237 potential interviewees, found by placing ads in newspapers recruiting people in Rio's avenidas, resulted in 42 filmed interviews, though only 18 finally appear onscreen. Each person has about five minutes to sing a bit of his or her favorite tune, a capella, and explain why that song is important to them. The simplicity of the idea is echoed in the backdrop, which consists of a stage with a single chair and black curtains lit by a spotlight. During the interviews, people are framed in medium closeups, though a wider shot at the beginning or end of a scene might show off something of the subject's personality, through body language, as he or she enters or leaves the stage. The choices of songs, all Brazilian, might be unfamiliar for foreign viewers, but the stories behind them are universally recognizable. Widower Gilmar, an emotional man, performs a song his seamstress mother used to sing when he was a boy. Stalkerish Sonia still can't get over her first love three decades later, while German Isabell, who came to Rio to marry a Brazilian who then left her, finds both revenge and peace in a (heavily accented) samba song. Lidia tried to shoot her lover, while Zio mourns the loss of his three "mothers": his real mom, wife and mother-in-law, who all died in the same year. Most of the interviewees -- diverse in age and background, and only identified onscreen by their first names -- choose songs they must have picked up on the radio, though Zio has written his own. A special case is one of the film's most unforgettable protags, the lively Dea, who's convinced that the wrong date was put on her birth certificate because she doesn't feel like someone who was born in 1928. She sings a tune from the king of Brazilian music, Roberto Carlos, which she once sang with him, adding mischievously: "He was married at the time." Popping up throughout are recurring themes of love, loss and desire, all complex emotions that are also the subjects of many tunes. The brilliance of Coutinho's conceit is that he sets out to demonstrate that people often turn to song when words can't express how they feel, but he shows this by letting people talk about the emotions that inspired their song of choice. Tech package is modest but classy. Pic was produced by VideoFilmes, the company of helmer Fernando Meirelles.Camera (color, HD), Jacques Cheuiche; editor, Jordana Berg; sound, Valeria Ferro; assistant director, Ernesto Piccolo. Reviewed at Rio de Janeiro Film Festival (competing), Oct. 13, 2011. (In Intl. Documentary Film Festival Amsterdam -- competing.) Running time: 91 MIN. Contact Boyd van Hoeij at news@variety.com

Nathan Lane, Cheyenne Jackson to Star in New USA Comedy

Nathan Lane, Cheyenne Jackson Nathan Lane will star in and executive-create a new comedy on USA, the network introduced Friday. The untitled Douglas McGrath Project stars the Tony champion being an unlucky actor whose Broadway aspirations need to be placed on hold and go back to his Texas home town when his father's health requires a turn for that worse. Cheyenne Jackson (30 Rock, Glee) and Ken Jenkins (Scrubs) will even star. Browse the relaxation of present day news "Nathan Lane is among the most versatile comedy forces within the entertainment industry.We are thrilled with an actor his stature and Doug McGrath's masterful script aligned using the launch in our comedy brand," stated Bill McGoldrick, Senior V . P . of Original Scripted Programming at USA Network. "We are not surprised the mixture of Nathan and Doug rapidly attracted such high-quality and notable stars as Cheyenne and Ken." Oscar nominee McGrath will write and direct the pilot, in addition to executive-produce alongside Lane.

'Magnolias' blossom in U.K.

LONDON -- A brand new revival of Robert Harling's bittersweet comedy "Steel Magnolias" will tour the U.K. inside a production helmed by David Gilmore ("Grease") and created by David Ian Prods. ("Seminar," presently previewing on Broadway).Opening in Bath April 2, "Steel Magnolias" will hit Cardiff, Bradford, Nottingham, Brighton, You are able to, Richmond, Birmingham and Southampton, ending Jun. 16 in Milton Keynes.The development, whose cast of legit and TV names includes Isla Blair, Cheryl Campbell and Cherie Lunghi, is thought to become thinking of getting an autumn West Finish berth. Contact David Benedict at benedictdavid@mac.com

Miramax Announces Suggested Refinancing

SANTA MONICA (October 28, 2011) Miramax Film NY, LLC today introduced its intentions to re-finance its outstanding indebtedness having a film privileges and contracted receivables resource-backed securitization (the Miramax Film-Library Securitization). It's anticipated that, susceptible to market along with other conditions, the Miramax Film-Library Securitization will near the coast the 4th quarter of 2011. The notes to become released underneath the new securitization facility is going to be offered and offered to purchasers within the U . s . States pursuant to Rule 144A and outdoors the U . s . States pursuant to Regulation S underneath the Investments Act of 1933. The notes won't be registered underneath the Investments Act of 1933 or any condition investments laws and regulations and might not be offered or offered within the U . s . States absent registration or perhaps an relevant exemption in the registration needs from the Investments Act of 1933 and relevant condition laws and regulations. This pr release shall not constitute a deal to market or perhaps a solicitation of the offer to buy the notes or other investments, and shall not constitute a deal, solicitation or purchase in a condition or jurisdiction by which this kind of offer, solicitation or purchase could be illegal. The Miramax Film-Library Securitization is susceptible to market along with other conditions, so there might be no assurance that it'll be completed on terms which are acceptable to Miramax or whatsoever.

Melissa Joan Hart Punished By Her Ex-Manager For Non-Payment Of Commissions

Talent manager Kieran Maguire prosecuted Wednesday against Melissa Joan Hart, saying colorfully they “has no heart” for reaping helpful benefits from his services after which it ditching him “once her recognition was reduce from obscurity.” Maquire states he and Hart became a member of in to a verbal standard agreement for his management services in 2006 — after her series Sabrina The Teenage Witch ended a few years prior. The breach of contract suit filed in L.A. Superior Court highlights that Hart made the decision to pay for and continuing to cover Maguire 10% of her earnings for subsequent years throughout which Maguire states he labored carefully along with her talent agents, publicists, business managers, lawyers while others in guiding her career. Of the same quality good examples of fostering her progress Maguire cites Hart’s guest looks on tv shows for instance Dwts, her participation in ad campaigns for Kellogg’s, Huggies, Pillsbury and Gain laundry detergent, a People magazine cover and guest starring roles in series and TV movies. Maguire further indicates alleges he was instrumental in Hart’s developing the ABC Family series Melissa & Joey, and states they paid out him his rightful commissions for your show’s first season. People costs for your 2010 season found $122,700.23, the suit states. In mid-March 2011 Maguire states Hart fired him suddenly, whereupon he reminded her they used to be accountable for any future earnings for work acquired through the time he offered as her manager. ABC Family has restored the series and begun filming a completely new season. Maguire is seeking payment for individuals episodes that Hart remains paid out or will probably be paid out — about $56,250 for 15 episodes together with a part of the salary increase Maguire thinks she received which will correspondingly increase his 10% fee. More youthful crowd seeks ongoing payment of his commission as extended as Melissa & Joey proceeds ABC Family.

Cambio, Killer set film shorts

LutzVachon Cambio and Killer Digital have launched a partnership aimed at thesps looking to become filmmakers by producing and directing short films -- including Kellan Lutz ("Twilight"), Troian Bellisario ("Pretty Little Liars"), Nina Dobrev ("The Vampire Diaries") and Kevin Jonas of the Jonas Brothers.The shorts will appear on the 15-month-old Cambio site, which will also feature live video chats between producer Christine Vachon and the filmmakers. "I began my career making short films, so to be able to revisit that genre and help develop the skills of talented, young short filmmakers is full circle for me," Vachon said. "And, unlike when I started, the Internet will allow millions to enjoy and experience these films."Vachon, who just wrapped on the untitled Ramin Bahrani racing pic starring Zac Efron, said the shorts will be in 10-20 minute range and could start appearing next year. She told Variety that the idea evolved about a year ago. "It's a great way for actors to get out of their comfort zone," she added.Bellisario said she's already working on three different ideas. "This is great for me because I'm such a fan of Christine's work, and I'm not really very good at sitting around on a set," she added.Lutz said he hasn't locked down an idea yet. "I want it to be original, and creative, but with a twist," he added. "Short films are tricky because you don't have time to develop the characters, so the plot has to grab people's attention fast."Lutz said he's never directed but is looking forward to it. "Having worked with and observed so many talented directors, I've put a lot of pressure on myself, but I'm really just looking at this as an opportunity to see if I enjoy it and would want to one day direct feature-length films," he said.Vachon's films include "Boys Don't Cry" and "One Hour Photo. "Christine's track record in creating meaningful and relevant films that speak to this demographic is unmatched," said Cambio general manager Nathan Coyle. He also said Vachon's Killer Films banner would be a producer should a short become the basis for a feature.Killer Digital is a partnership between Killer Films and Kevin Iwishina's Preferred Content to create digital, shortform filmed entertainment content.Bellisario said she's already working on three different ideas. "This is great for me because I'm such a fan of Christine's work and I'm not really very good at sitting around on a set," she added. Lutz said he hasn't locked down an idea yet. "I want it to be original, and creative, but with a twist," he added. "Short films are tricky because you don't have time to develop the characters, so the plot has to grab people's attention fast." Lutz said he's never directed but is looking forward to it, noting, "Having worked with and observed so many talented directors I've put a lot of pressure on myself, but I'm really just looking at this as an opportunity to see if I enjoy it and would want to one day direct feature length films." Contact Dave McNary at dave.mcnary@variety.com

Glenn Close: 30 years of remarkable transitions

Glenn Close laughs off, literally, the notion of a career achievement award."I'm grateful I have a career," she says. "It's kind of amazing to me. I'm very honored that my work is something that people deem worth celebrating. That song, 'I'm still here' -- it will be relevant.'Close recalled how after extensive stage work she came to make her film debut in George Roy Hill's "The World According to Garp" in 1982."I didn't know what I didn't know. I didn't know movies," she says. "I went up to George and said, 'I hope you'll take care of me, because I hear a lot of actors can't make the transition from stage to film,' and he said, 'You're right. They can't.'"As an artist you never know where your next job is going to come from," she continues, "and so you make all these choices and suddenly it's your body of work."It's not like 30 years ago you said, 'I want to be in this place 30 years from now.' That's impossible in our profession."A five-time Oscar bridesmaid (with noms for supporting actress) but not yet the bride, Close may be in the running for another nomination for "Albert Nobbs," as a woman who disguises herself as a man to get work in late 19th century Ireland.Close first played the role onstage and has spent two decades trying to get it on film. "It was something that was a constant in my life. It just happened to take 15 years." HOLLYWOOD AWARD Grit & glam in movie mecca | Glenn Close: 30 years of remarkable transitions | Hollywood Awards honorees Contact the Variety newsroom at news@variety.com

Warner Bros. teams with Ahearne and Lin

Warner Bros. is developing an untitled supernatural thriller feature with Brit scribe Joe Ahearne ("Trance") and arrange it with Warner-based Serta Lin to create. Studio's keeping the logline under systems. Lin Pictures Vice president Jon Silk came from the concept and can co-produce. Matt Cherniss is managing the work for Warner Bros. Ahearne's an experienced TV scribe with diverse small-screen credits such as the telepic "Trance," the sci-fi series "Ultraviolet" and also the factual series "Space Journey." He composed the approaching Fox Searchlight adaptation of "Trance," starring James McAvoy being an worker in an ah who teams with thieves to steal an invaluable painting who then suffers amnesia from the blow towards the mind. Lin's creating "Karma Coalition," "Gangster Squad," the "A Virtual DetectiveInch photos and "Godzilla." Ahearne's repped by ICM, U . s . Agents and Principal Entertainment. Contact Dork McNary at dork.mcnary@variety.com

Equity Honors James Earl Manley

Equity Honors James Earl Manley By Madasyn Czebiniak October 10, 2011 Photo by Jason Kempin/Getty Images James Earl Manley James Earl Manley might be the individual receiving Actors' Equity Association's 2011 Paul Robeson Award, the union introduced Monday. The award, created four decades ago, emerges yearly for the person "who best demonstrates the concepts through which Mr. Robeson were living," Equity mentioned in the statement. Past individuals who win include Sidney Poitier, Ossie Davis and Ruby Dee, and Robeson themselves."Mr. Robeson was fortunate with a lot of endowmentsamong them the scholarship and athleticism of his youth, as well as the activist commitment that adopted his fame just like a artist," Manley mentioned in the statement being read March. 14 at Equity's NY membership meeting. "Possibly he showed up at most likely probably the most souls (including mine) just like a singer and artist inside the undertaking arts, and using this method, he mightily elevated the value of art to humanity."Manley can be a past people receiving two Tony Honours, four Emmys, a Golden Globe, together with a Grammy. He was nominated with an Academy Award in 1971 for his portrayal of boxer Jack Jefferson inside the film version of "The Fantastic White-colored Hope"employment he'd originated from on Broadway 2 yrs earlier too for they received among his Tonys. He's presently starring in "Driving Miss Daisy" in London's West Finish. Equity Honors James Earl Manley By Madasyn Czebiniak October 10, 2011 James Earl Manley PHOTO CREDIT Jason Kempin/Getty Images James Earl Manley might be the individual receiving Actors' Equity Association's 2011 Paul Robeson Award, the union introduced Monday. The award, created four decades ago, emerges yearly for the person "who best demonstrates the concepts by which Mr. Robeson were living," Equity mentioned in the statement. Past individuals who win include Sidney Poitier, Ossie Davis and Ruby Dee, and Robeson themselves."Mr. Robeson was fortunate with a lot of endowmentsamong them the scholarship and athleticism of his youth, as well as the activist commitment that adopted his fame just like a artist," Manley mentioned in the statement being read March. 14 at Equity's NY membership meeting. "Possibly he showed up at most likely probably the most souls (including mine) just like a singer and artist inside the undertaking arts, and using this method, he mightily elevated the value of art to humanity."Manley can be a past people receiving two Tony Honours, four Emmys, a Golden Globe, together with a Grammy. He was nominated with an Academy Award in 1971 for his portrayal of boxer Jack Jefferson inside the film version of "The Fantastic White-colored Hope"employment he'd originated from on Broadway couple of years earlier too for they received among his Tonys. He's presently starring in "Driving Miss Daisy" in London's West Finish.

Watch Martin Scorsese Talk 'Hugo' in New Production Featurette

"Martin Scorsese and three dimensional?" you asked to nobody particularly when you initially learned about 'Hugo,' the Oscar-winning director's three dimensional adaptation from the children's book 'The Invention of Hugo Cabret.' Yep! While three dimensional seems well coming toward being a passing fad (again), Scorsese could not wait to obtain his eyes with an extra dimension. "This really is something which happens to be exciting in my experience,Inch Scorsese states inside a new featurette. "I have always imagined to do a movie in three dimensional." Adequate, Marty! Watch the teaser ahead. video platformvideo managementvideo solutionsvideo player 'Hugo' might be screening a "work-in-progress" print tonight in the NY Film Festival return to Moviefone for additional around the possible event on Tuesday. Featuring Chloe Moretz, Jude Law, Asa Butterfield, Ben Kinglsey and Sacha Baron Cohen, 'Hugo' opens in November. [via Deadline] [Photo: Vital] Follow Moviefone on Twitter Like Moviefone on Facebook RELATED

Shearer chides Fox over 'The Simpsons'

'The Simpsons'Harry Shearer, among the six stars who voices for figures on "The Simpsons," released an argument Friday chiding twentieth century Fox TV because of not permitting he and the fellow cast people to possess any profit participation within the series.The statement came at the time the studio is stated to possess enforced a deadline around the cast to accept a 45% pay cut or risk getting the Fox series finish in the current 23rd season."I am prepared to allow them to cut my salary not only 45% but a lot more than 70%," stated Shearer via his repetition, Allan Mayer. "All I'd request in exchange is the fact that I be permitted a little share from the eventual profits."20th TV has contended that it's no more economically viable to carry on production given the fee for the actors' salaries, that has risen to $440,000 per episode.As the studio has because of the cast boosts in salary in four or five different renegotiations returning to 1998, this news Corp.-possessed entity hasn't given them inside a share from the back finish. "Simpsons" has gained billions in profits from distribution, DVD, retailing along with other global revenue streams.While Shearer acknowledged the salaries he and the fellow cast people receive, which total a minimum of $8 million per season for every actor, are exorbitant by any standard, they're a small fraction of the need for the franchise."All I'd request in exchange is the fact that I be permitted a little share from the eventual profits," stated Shearer, who noted he does not speak for that other cast people.But Shearer added that Fox has declined his reps' request he obtain a small bit of the rear finish in return for a 70% cut."There have been, the Fox people stated, virtually no conditions to which the network would consider permitting me or the stars to talk about within the show's success."Top producers around the series have previously recognized unspecified pay cuts to carry on for any 24th season, as Variety first reported.Shearer, an experienced comic actor whose credits include "This really is Spine Tap" and "Saturday Evening Live," may be the to begin the "Simpsons" cast kept in the dispute to visit public with critique of Fox. Another stars within the standoff include Nancy Cartwright, Hank Azaria, Yeardley Cruz, Serta Castellaneta and Julie Kavner.Shearer does the voices of numerous "Simpsons" figures including Mr. Burns, Waylon Smithers, Ned Flanders and Rev. Timothy Lovejoy. Contact Andrew Wallenstein at andrew.wallenstein@variety.com

Schwarzenegger Inaugurates His Museum In Austria

First Launched: October 7, 2011 10:27 AM EDT Credit: Getty Images THAL, Austria -- Caption Arnold Schwarzenegger accepts an award at Skirball Cultural Center in La on May 10, 2011 Arnold Schwarzenegger the bodybuilder, celebrity and ex-governor whose romantic exploits have showed up him in the heart of a untidy divorce invoked his existence as model for youthful people Friday through the formal inauguration from the museum dedicated to him within the native Austria. hundreds of fans braved driving rain and chilly fall temps to fete Austrias most well-known living boy within the museum, situated inside the two-story Thal village house where Schwarzenegger was produced. The museum, open because this summer time, can be a repository of items including his first barbell, the metal bed mattress he rested on just like a youth, several existence-size Terminator models as well as the polished dark wooden desk he sitting behind while Californias governor. Schwarzenegger also revealed a bronze statue of themselves flexing too as with trunks since the youthful bodybuilder from Austria whose rippling biceps introduced to his Hollywood career as well as the recognition that paved the technique towards the governors office. Shielded by an umbrella, Schwarzenegger used the occasion to supply an uplifting speech to youthful fans. Invoking the title of just one of his early films, he stated thirstily anything was possible as extended simply because they stay hungry. He mentioned he wishes that every individual that visits the museum recognizes that everyone might be good at the own way. My very own success has less associated with vast amounts or while using mind lines on television that are not always positive in addition to do not be clapped round the shoulder by Obama together with other world names, he mentioned. Personal success is triggered by determination, effort and resistance. Personally, this isn't basically a museum, he added, gesturing for the yellow-stuccoed house behind him. It is also synonymous with will everyone features a chance. The bronze statue is among several commissioned by Schwarzenegger taken. But even if some inside the crowd understood the Schwarzenegger likeness wasn't unique, they didnt appear of taking care of. Security officials required to pry a path through people holding an umbrella in one hands and looking to touch their idol while using other, whizzing and entertaining while he passed. With Schwarzenegger was Patrick, his boy from his marriage with Maria Shriver. The Two are divorcing. Nevertheless the museum shows photos of Schwarzenegger and Shriver in additional happy occasions, and Schwarzenegger known towards the wedding with Maria one of the days that we remember with great fondness. The marriage unraveled after Schwarzenegger acknowledged being the dad of child outdoors of his marriage a thing that no less than some fans collected Friday suggested broken his status. We Austrians are pleased with him and what he accomplished, mentioned Gottfried Karner, within the Upper Austrian capital of scotland - Steyr. But you will discover several things he did that particular does not accept. Most Austrians have continued to be dedicated to Schwarzeneggers accomplishments since he left for your United states . States in 1968, first as Mr. World, then as Conan the Barbarian as well as the Terminator and finally his 2003 election as governor. Before his private existence emerged for critique, however, Schwarzeneggers cult status in Austria needed some knocks because of his support in the Iraq war as well as the dying penalty as Californias governor. Critique elevated after he rejected to pardon two billed murderers back to back in 2005 to the level where he bought city fathers in Graz Austrias second greatest city where he spent his youth to strip his title within the Graz soccer stadium and shipped back the citys finest award its ring of recognition. Ever since then, the climate has tossed to adulation and Fridays speeches reflected that. Austrian Chancellor Werner Faymann, who opened up in the occasions, known to Schwarzenegger while you Austrian known by everyone in the world, adding: We as Austrians are content. (Copyright 2011 by Connected Press. All rights reserved. These elements is probably not launched, broadcast, rewritten or redistributed) Copyright 2011 by NBC Universal, Corporation. All rights reserved. These elements is probably not launched, broadcast, rewritten or redistributed.

European Film Academy fetes Frears

FrearsBERLIN -- The European Film Academy is paying tribute to British director Stephen Frears at this year's European Film Awards. Frears, director of such films as "Dangerous Liaisons," "High Fidelity" and "The Queen," will receive the lifetime achievement award for what the academy said was "his outstanding and dedicated body of work." The filmmaker will accept the award at the European Film Awards ceremony, which will take place in Berlin on Dec. 3. Frears began his career in British television and made his cinematic breakthrough in 1985 with "My Beautiful Laundrette." It was followed by "Prick Up Your Ears," "Sammy and Rosie Get Laid" and "Dangerous Liaisons," which won three Oscars, two BAFTAs and a French Cesar for the director. "I'm very grateful. It's very nice to be complimented by Europe," Frears said. "I'm never quite sure whether England is part of Europe. We're divided about this and have complicated feelings. But what matters is to keep European film going. And I'm totally committed to that. Nothing else matters. If the films are good, then people will go and see them." Frears' most recently made last year's "Tamara Drewe," and is currently working on the Las Vegas gambling drama "Lay the Favorite," starring Rebecca Hall, Bruce Willis and Joshua Jackson. Contact Ed Meza at staff@variety.com

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Healthy Hollywood: Get Movin Monday Jillian Michaels Exceptional New Existence!

First Released: October 3, 2011 6:58 PM EDT Credit: Prevention Magazine NEW You are able to, N.Y. -- Caption Jillian Michaels around the November 2011 cover of Prevention magazineSince departing The Greatest Loser, Jillian continues to be focusing on flexing her much softer side. Thats a large reason I desired to depart the show, the 37-year-old discloses in Novembers Prevention magazine. Michaels felt the show centered on her signature boot camping workout routines and rarely allow the cameras roll around the more human side of her training periods. It does not show the much deeper conversations or even the interview in which you explain the reason why you did a, simply because they dont think it can make good TV. Nowadays Jillian has become a existence coach working to help individuals jump-start their lives to new careers, less anxiety, and much more happiness. The first kind tough-as-nails trainer describes her next existence chapter in Prevention as, helping people be at liberty and healthy in each and every part of their lives, be it career, associations, or physical well-being. She also takes proper care of her very own happiness factor with therapy and horseback rides. Certainly another side of Jillian than Greatest Loser fans ever saw! Jillian can also be going to fulfill her greatest dream being a mother. Shes along the way of implementing an infant in the Democratic Republic of Congo. Its a complete-time job, discloses Michaels, that has enlisted a team of supporters to assist her obtain the necessary documents filed. As The Greatest Loser switched Jillian right into a financial success, shes determined to not spoil her child. My home in [La], I see kids with 1000's of dollars price of electronics who drive BMWs. And my kid will probably be the main one in 2003 used Toyota Prius having a friggin backpack while the rest of the women have Hermes Birkin. And That I dont care. I had been trained to create my very own money and discover my very own way. For additional of Jillians interview, get Novembers Prevention magazine or mind to world wide web.prevention.com. Copyright 2011 by NBC Universal, Corporation. All privileges reserved. These components might not be released, broadcast, rewritten or redistributed.

'Zoolander 2' Will Disfigure Hansel, Owen Wilson Teases

Hansel, much less hot at this time around? Sadly, it seems like most likely probably the most really, really, really absurdly attractive models in the world isn't as around snuff while he was ten years ago if Owen Wilson is going to be thought, that's. MTV News taken track of Wilson through the press junket for "The Big Year," the actor's approaching comedy with Jack Black and Steve Martin of a trio of standard males rivaling one another being North America's best bird-watcher of year. In another world, another Wilson character Hansel of "Zoolander" fame may also be competing to become the finest in the region, but in line with the actor, the follow-up will uncover a totally different Hansel a man who's less male model, plus much more damaged goods. "Hansel, he's fallen on hard occasions," he taunted, before losing a bombshell: "There's a disfiguring injuries." A disfiguring injuries? Which kind of disfiguring injuries? Wilson wouldn't say, but he did offer one fantastically cryptic and unforeseen teaser: "Think 'Vanilla Sky." If Hansel is searching less like the male kind of yesteryear and the majority a lot more like, uh, this well, I guess it's unfortunate, but it's also potentially awesome. Vanilla Sky Hansel, you do not be so hot at this time around, but they're certainly amusing to think about. This isn't the first time Wilson has spoken "Zoolander 2" lovingly recognized to as "Zoo 2" and "Twolander" inside our latest chat. Late a year ago, we asked for the actor what he considered Hansel's mindset ten years publish-"Zoolander." "The main one factor about Hansel is he cannot imagine themselves -- so even if he isn't the #1 guy, In my opinion he still carries themselves as if,Inch he mentioned. "He'll have that Hansel swagger." Reveal what you consider inside the comments section and also on Twitter!

Ratings Pit Of Debt: Kitchen Bad dreams or nightmares Steady As All Friday Scripted Series Drop

Last November, when ABC beat CBS’ scripted Friday selection multiple occasions in grownups 18-49 with a combination of reality shows and newsmagazines, I wondered whether the thought of putting scripted series on Friday was condemned. Well, searching within the amounts last evening, it certainly seems by doing this, particularly should you program for your internet marketer-friendly grownups 18-49 set. Fox’s reality series Kitchen Bad dreams or nightmares (1.6/6 in grownups 18-49, 4 million audiences) and ABC’s newsmagazine 20/20 (1.2/4, 4 million) were really the only programs about the big 4 systems last evening not to drop from premiere week in grownups 18-49, wonderful scripted shows lower. Although it is not really particularly disturbing for CBS — that's placing a mature-skewing fare round the evening that could pack ten million audiences despite low 18-49 amounts — it should be alarming for NBC, that's likely to unspool two youthful-skewing shows round the evening, Chuck and Grimm. Following Kitchen Bad dreams or nightmares, Fringe (1.2/4, 3.millions of audiences) was lower 20% in the low season premiere the other day. Granted the series evolves some 50% in Dvr viewing, that is still an very low base to start from, which causes it to be unlikely the sci-fi drama can cheat cancellation again. Like Fringe, CBS’ rookie A Gifted Guy (1.2/4, 8.millions of) is diminishing, lower 14% in the debut the other day and tied with Fringe and 20/20 since the least expensive-rated first-run program last evening. CSI: NY (1.6/5, ten million) was lower 11% from the other day in 18-49, while Blue Bloods (1.8/6, 11.2 million) was lower 10% but nevertheless ranked since the finest-rated program on Friday in 18-49 and total audiences. NBC and ABC went repeats of newcomer series for more sampling, then newsmagazines. NBC’s two-hour Dateline (1.6/5, 6.2 million) was lower 20% inside the demo from the other day, 20/20 was track of much. CBS (1.5/5, 9.8 million) won the evening in 18-49 and total audiences, but it'll be interesting to look for the way the network costs against NBC and particularly ABC when the systems ditch scripted reruns for Chuck and Grimm (NBC) and reality, coupled with 20/20 (ABC). The CW can’t re-produce the ratings miracle Smallville and Supernatural had together last season, drawing lots of youthful eyeballs for the low-trafficked Friday evening. Nikita (.6/2, 1.8 million) no less than held steady in the low start the other day in 18-49 and shed 5% in general audiences. Supernatural (.7/2, 1.8 million) was lower a tenth inside the demo and 10% in audiences.

Michael Shannon Stands out in 'Take Shelter'

Michael Shannon Stands out in 'Take Shelter' By Jenelle Riley September 30, 2011 Remember when September would be a drop zone for mediocre movies that galleries required to cleanse before moving the Oscar challengers? Well, it is the a week ago from the month and many terrific films are opening today. Not just that, but we have some good movies like "Moneyball" and "Warrior" in theaters. Really, "Warrior" warrants to do better--should you haven't seen it yet, get available and look for among the best films from the year. Then visit to among the other great films opening this weekend--"50/50" could be towards the top of my list, but when you would like some gory fun, you cannot fail with "Tucker and Dale versus. Evil." Both films have returned Stage Critic's Picks.Also opening a few days ago, and something I really hope does not explore the Oscar shuffle, is "Take Shelter," an attractive and terrifying parable from author-director Shaun Nichols having a ferocious performance from Michael Shannon. I have been keen on Shannon's ever since his riveting submit the play "Bug" like a paranoid Gulf War veteran, a job he reprised for that 2006 film version. Then he impressed audiences like a psychologically unstable guy in "Revolutionary Road," which gained him an Oscar jerk. Well, nobody does paranoia and mental instability much better than Shannon, who's absolutely amazing in "Take Shelter" as Curtis, a husband and father who starts to experience visions and hopes for an oncoming apocalyptic event. He then sets to develop a explosive device shelter in the year, much towards the confusion of his loving wife, described through the always wonderful Jessica Chastain. Shannon is just one of my personal favorite stars to speak to there is something about his appearance (he looks about 7 ft tall and it has wide, significant eyes) combined with that unique vocal pedal rotation (just a little Christopher Walken-ant) that, for whatever reason, forever amuses me. He's also extremely intelligent and knows much more about the craft of acting than many people could aspire to forget. I'd the pleasure of moderating a Q&A with Shannon and Shea Whigham, who plays Curtis' closest friend, last Saturday evening, in which a offered-out crowd couldn't stop adoring the actor. CONTINUE Reading through ON Behind The Curtain Michael Shannon Stands out in 'Take Shelter' By Jenelle Riley September 30, 2011 Remember when September would be a drop zone for mediocre movies that galleries required to cleanse before moving the Oscar challengers? Well, it is the a week ago from the month and many terrific films are opening today. Not just that, but we have some good movies like "Moneyball" and "Warrior" in theaters. Really, "Warrior" warrants to do better--should you haven't seen it yet, get available and look for among the best films of the season. Then visit to among the other great films opening a few days ago--"50/50" could be towards the top of my list, but when you would like some gory fun, you cannot fail with "Tucker and Dale versus. Evil." Both films have returned Stage Critic's Picks.Also opening a few days ago, and something I really hope does not explore the Oscar shuffle, is "Take Shelter," an attractive and terrifying parable from author-director Shaun Nichols having a ferocious performance from Michael Shannon. I have been keen on Shannon's since his riveting submit the play "Bug" like a paranoid Gulf War veteran, a job he reprised for that 2006 film version. Then he impressed audiences like a psychologically unstable guy in "Revolutionary Road," which gained him an Oscar jerk. Well, nobody does paranoia and mental instability much better than Shannon, who's absolutely amazing in "Take Shelter" as Curtis, a husband and father who starts to see visions and hopes for an oncoming apocalyptic event. Then he sets to develop a explosive device shelter in the year, much towards the confusion of his loving wife, described through the always wonderful Jessica Chastain. Shannon is just one of my personal favorite stars to speak to there is something about his appearance (he looks about 7 ft tall and it has wide, significant eyes) combined with that unique vocal pedal rotation (just a little Christopher Walken-ant) that, for whatever reason, forever amuses me. He's also extremely intelligent and knows much more about the craft of acting than many people could aspire to forget. I'd the pleasure of moderating a Q&A with Shannon and Shea Whigham, who plays Curtis' closest friend, last Saturday evening, in which a offered-out crowd couldn't stop adoring the actor.CONTINUE Reading through ON Behind The Curtain

The Avengers character profiles tease plot particulars

Entertainment Week gets the Avengers on its cover today but it's the stuff inside the magazine TF is most considering!That's because profiles of each and every team member supply some interesting character points and tease plot particulars.For instance, Bruce Banner may want to be an Avenger, nevertheless the relaxation in the crew see Hulk to be an problem: "He's the only real person who is able to really take lower The Hulk along with his tranq tip arrows," states Jeremy Renner about his character Hawkeye.Same goes with everyone walking on eggshells around Bruce Banner?"Nobody really wants to create him off apart from Iron Guy, who just desires to see him pop. It's funny, there's a very awesome dynamic between Tony Stark and Banner," states Mark Ruffalo."Banner really loves it, and finds it refreshing. They are a good deal alike in the strange way. They're both of these kind of scientists that are mavericks, kind of renegades. Banner, for individuals his mild-mannered mythology, he's still the dude who was simply testing some pretty crazy shit on themselves, so he's that digital digital rebel streak in him."Obtaining a team of superheroes trying to put the smackdown inside your brother also creates a fascinating problem for Chris Hemsworth's Thor."In my opinion [Thor's] motivation is much more from the personal one, meaning it's his brother Loki that's stirring some misunderstanding. Whereas for everyone else, it's some theif who they've gotta take lower. It's a different way of me, or Thor. I've been frustrated with my brothers and sisters sometimes, or family, however i am the only real person who's allowed being angry their way. There's a bit of this,Inch Hemsworth mentioned.Meanwhile, Hawkeye and Black Widow (Scarlett Johansson) - really the only Avengers not have access to their unique origin movie - finally get yourself a shared backstory."Really the only factor I cling to might be the connection of past encounters with Scarlett's character, together both being human," Renner adds.

Thursday scripted newcomers aren't popping

Fox has swooped in and won another Thursday in demos getting a 2-hour ''The X Factor,'' while CBS comedy ''How to become Gentleman'' fought within the premiere together with other scripted beginners like NBC's ''Whitney'' and CBS' ''Person of Interest'' released OK but nothing-special amounts inside their second activities. According to preliminary national estimations from Nielsen, Fox's ''The X Factor'' averaged a potent 3.8 rating/10 participate grownups 18-49 and 11.9 million audiences overall from 8 to 10 p.m., peaking getting a 4.3 demo score and nearly 13 million total audiences and lifting Fox to victory in grownups 18-49 and 25-54. When excellent can be found in this mid-day, ''X'' is predicted being lower inside the single-digit rates versus. the other day , a far greater hold than most scripted series. At CBS, ''The Large Bang Theory'' centered Thursday's 8 o'clock half-hour (4.8/15 in 18-49, 14.5 million audiences overall), on componen having its week-ago delivery inside the half-hour and topping runner-up ''X Factor'' by 6 shares in 18-49. It absolutely was a sizable dropoff, though, at 8:30 p.m. for your debut of ''How to become Gentleman'' (2.7/8 in 18-49, 9. million audiences overall), which substantially underperformed the retention of last fall's ''Bleep My Dad States.'' News was better for your Eye at 9 p.m., where ''Person of Interest'' (2.7/7 in 18-49, 12.4 million audiences overall) declined a great 13% inside the demo and 7% in general audiences despite a lead-because was under half of exactly what it was on premiere evening even though it again finished fourth in 18-49, it elevated to 3rd in 25-54 (3.8/9). At 10, ''The Mentalist'' (2.5/7 in 18-49, 12.7 million audiences overall) placed second in 18-49 and first in 25-54 and total audiences. NBC again started progressively with ''Community'' (1.8/5 in 18-49, 4. million audiences overall) and ''Parks and Recreation'' (2.1/6 in 18-49, 4.4 million audiences overall) before rising at 9 p.m. with ''The Office'' (3.4/9 in 18-49, 6.6 000 0000 audiences overall). At 9:30 p.m., ''Whitney'' (2.5/6 in 18-49, 5.4 million audiences overall) fell off a little a lot more than its ''Office'' lead-in, nonetheless its 74% retention remains fairly good. Losing into the hazardously low range, though, was 10 p.m. drama ''Prime Suspect'' (1.5/4 in 18-49, 5.6 000 0000 audiences overall) , even though it used to be just a little before last season's weak ''The Apprentice.'' ABC saw ''Charlie's Angels'' (1.5/4 in 18-49, 7.2 million audiences overall) tumble greater than 25% in the OK premiere of the other day, losing to last among the Large Four in demos for your 8 o'clock hour. ''Grey's Anatomy'' adopted (3.5/9 in 18-49, 10. million audiences overall) getting another-place demo finish , lower 15% in the two-hour premiere of the other day and many 20% in the second week of a year ago but nevertheless the night's No. 1 drama in demos. At 10, ''Private Practice'' (2.8/8 in 18-49, 7.9 million audiences overall) stood a solid season premiere, leading its broadcast competition among teens having its top score since December. CW's ''The Vampire Diaries'' (1.3/4 in 18-49, 2.7 million audiences overall) was up overall versus. the other day (including by 17% in grownups 18-34), while ''The Secret Circle'' (.9/2 in 18-49, 2.millions of audiences overall) was flat or up just a little in lots of groups. Preliminary 18-49 earnings for your evening: Fox, 3.8/10 CBS, 3./8 ABC, 2.6/7 NBC, 2.1/6 CW, 1.1/3. In general audiences: CBS, 12.3 million Fox, 11.9 million ABC, 8.4 million NBC, 5.2 million CW, 2.4 million. Contact Ron Kissell at ron.kissell@variety.com